PR281

This beginning printmaking course introduces intaglio and relief printing techniques within an active, hands-on studio experience. With a keen eye towards craft, composition, concept and engagement, this course explores the unique and varied visual effects and pragmatic considerations of copperplate intaglio and relief printing. Intaglio processes will include drypoint, hard ground and soft ground techniques on copper plates. The developing, working,and reworking of plates will be supported through step etching and scraping and burnishing. Relief printing techniques will include components of both Japanese and Western carving,inking, and printing traditions. Linoleum and woodcut printing will be covered in single and multiple blocks. Image and mark-making, line and value, strategies of layering, and composition are discussed and developed in both techniques. Current and historical applications of intaglio and relief printing for artists and designers will be a focus during the course. A program of demonstrations, lectures, in-class projects, readings & discussions, visiting artists, and individual & group critiques will support student exploration.

Pacific Northwest College of Art

Portland

Fall and Spring